Ana Paneque

In Which They Find Something in my Ovaries, and I am in Love with an Entomologist

The nurse leads me up a flight
of stairs,                and briefly,       a window pane to the waiting

room, the top of my

mother’s head below                     and an electric

thread of recognition as though I’d left my

body in its seat, as though I’d slipped through the

silk of myself in the antiseptic light                      and into a place beyond

tenderness or touch.                  In my boyfriend’s garden shed that

summer: Our school year done, June’s ribboning heat

sinking its brilliant barb into new flesh.
The cicada nymphs taste

best, pearly in the furred underbrush, more supple.

Any boy-entomologist worth

his salt knows this. A taste like a mouthful of

dark soil after hot rain, like thirteen years

of burrowing: All the small new

darknesses I’ve yet to learn, tight as my

pupil strained to watch him chew and

swallow, thinking how easily the body conceals

what it will, how tracing the path of his

fingers to his mouth I’m coming

to suspect its ulterior functions.

Somewhere in this building, an organ clangs

into a kidney bowl.                          My ovaries gleam white

inside of me like a second pair of eyes, low and

deep, each silently planting its hook

in my mind. The diagnosis is genetic: Blood in

the blood. I think of that Adrienne Rich line about wanting

to know where mother ends and daughter

begins, about performing, she calls it, radical surgery,

and my life pulls itself between us like a

ten-blade. How she’d slapped me hard in the kitchen. How
my blood unlatched from itself and

pooled softly at the site. From here, she is so

close to negligible. In the exam room

I bundled my underwear into a fist

and the speculum slid

in, cold and clean as a

pin through a thorax.


Ana Paneque (she/her) is a Mexican-American writer working towards an MFA in creative writing at Texas State University, where she plans to complete a short story collection. She’s interested in childhood, memory, and queerness. Her work is forthcoming in The Shore Poetry. She lives in San Marcos with her cat, Milo.